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Showing posts from January, 2023

BLACK ADAM | REVIEW

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  With Black Adam, things don't exactly start out well. It all has a Scorpion King vibe, and not only because of Dwayne Johnson. The narration has an oddly heavy echo pattern. The grade is terrible. Regarding the story itself, its inflated feeling of self importance makes everything feel immediately constricting. The mythos is as absurd as the weirdly groundless setting. Middle Eastern location, maybe but not definitely on a different planet, and era that predates the construction of the pyramids. Not that the fashion would lead you to believe it. Eventually, a more exciting adventure will rise above the nonsense, but only in the sense that its forerunner accomplished such a brilliant achievement in shattering expectations. Teth-Adam is Johnson. In the beginning, he is a Kahndaqi slave who is subsequently found to be Shazam's slave. He received superhuman talents from the same Council of Wizards that in 2019 transformed Asher Angel into Zachary Levi. Despite being previously ti
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BLACK ADAM | REVIEW

-
Image
  With Black Adam, things don't exactly start out well. It all has a Scorpion King vibe, and not only because of Dwayne Johnson. The narration has an oddly heavy echo pattern. The grade is terrible. Regarding the story itself, its inflated feeling of self importance makes everything feel immediately constricting. The mythos is as absurd as the weirdly groundless setting. Middle Eastern location, maybe but not definitely on a different planet, and era that predates the construction of the pyramids. Not that the fashion would lead you to believe it. Eventually, a more exciting adventure will rise above the nonsense, but only in the sense that its forerunner accomplished such a brilliant achievement in shattering expectations. Teth-Adam is Johnson. In the beginning, he is a Kahndaqi slave who is subsequently found to be Shazam's slave. He received superhuman talents from the same Council of Wizards that in 2019 transformed Asher Angel into Zachary Levi. Despite being previously ti
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Avatar: The Way of Water

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James Cameron, American, 20th Century Studios, Avatar: The Way of Water It's possible that Avatar is a victim of its own fame in certain ways. James Cameron and his team provided a model for precise and inventive digital world building, but hundreds of filmmakers after them used the same resources to create depressingly ordinary works of art. They unwittingly contributed to the demise of celluloid filming and projection as well as the emergence of "cinematic universes," which rely more on recognizable iconography than original visual design to entice viewers. Avatar appears to be but one screen among many, one window of "intellectual property," in such company as a multiverse of screens. Nevertheless, regardless of if the follow-up, Avatar: The Way of Water, which debuts after years of technological. The movie serves as a reminder that no one can generate a blockbuster like James Cameron. It pays huge benefits for 20th Century Studios, which is now a division of
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